Review by Kate McKenna
I am so sick of (a) casiotone and/or minimalist gloomy tunes (a la Earlimart) and (b) cheerful, big twee bands (a la Boy Least Likely To). Where is the middle ground? It's nearing the end of Winter, and what I crave more than anything is warmth. My craving is satisfied with Owl.
The Halifax duo has yet to release an album, but is generating waves in an already-buzzing music scene. Comprised of too-cute-for-words couple Vanessa Murnaghan and Matthew MacDonald (Superfantastics), it's not surprising that their sound is warm, comforting, and pensive. Matthew's steady and almost - is this an oxymoron? - natural programming compliments Vanessa's double tracked, steady, and at times euphoric vocals. Given the strength of the latter, it's a testament to how well the two work together that MacDonald doesn't push it further with the programming. In their brave cover of Deathcab's Passenger seat, Murnaghan's vocals replace the piano seemingly effortlessly.
Owl is one of the best new maritime acts in a time when new maritime acts are awesome. Expect huge things from this band.
1 comment:
The first time I heard them I was floored. I've been a big fan of the Superfantastics for quite some time, and I've known Vanessa for a few years now too.I must say, I couldn't be more proud of them. I hope to see you on PEI asap. You are incredible.
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